Camille Saint-Saëns – Sonatas for Violin & Piano

Details
Label: Cpo Records
Year: 2004
Quality: 220 (VBR) Kbps (stereo)
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Composer: Camille Saint-Saëns (9 October 1835 – 16 December 1921)
Performer: Roland Pöntinen & Ulf Wallin

Review
A welcome addition to the catalog of Saint-Saëns’ chamber music, this disc presents four of his pieces for violin and piano in a balanced and satisfying program. Violinist Ulf Wallin and pianist Roland Pöntinen have a sympathetic feeling for Saint-Saëns that shines through their polished performances, particularly in the two sonatas — works of such interest and vitality that it is inexplicable that they are infrequently performed and recorded.

In its pensive lyricism and effervescent virtuosity, the Violin Sonata No. 1 shows the influences of Brahms and Mendelssohn. Wallin gives full bow to the long, noble melodies in the first two movements, and delivers the brilliant scherzo and finale with verve. The buoyant Violin Sonata No. 2, composed 11 years later, is less direct in its sources of inspiration, and its lightness and apparent independence from German tradition may account for the work’s relative neglect. All the same, Wallin and Pöntinen give the sonata an appealing rendition and make a convincing case for including this little-known gem in the standard repertoire.

Less ambitious, but providing an agreeable contrast, the picturesque Triptyque and the exquisite Elégie are redolent of fin de siècle lyricism, a hallmark of Saint-Saëns. CPO’s superb recording preserves a natural recital ambience without artificially boosting the players’ sound.

Source

Allmusic about Camille Saint-Saëns
Camille Saint-Saëns was something of an anomaly among French composers of the nineteenth century in that he wrote in virtually all genres, including opera, symphonies, concertos, songs, sacred and secular choral music, solo piano, and chamber music. He was generally not a pioneer, though he did help to revive some earlier and largely forgotten dance forms, like the bourée and gavotte. He was a conservative who wrote many popular scores scattered throughout the various genres: the Piano Concerto No. 2, Symphony No. 3 (“Organ”), the symphonic poem Danse macabre, the opera Samson et Dalila, and probably his most widely performed work, The Carnival of The Animals… Read more…

~ by crossproduct on June 3, 2009.